Adam Tomlinson on Designing Sets for One Shot Filming in ‘Adolescence’

In the world of filmmaking, the set design plays a crucial role, especially in productions like Adolescence, where the story unfolds in a unique one shot format. Here, we explore insights from production designer Adam Tomlinson on his creative process and the challenges he faced.
Building the Set for a One Shot in ‘Adolescence’
When designing the sets for Adolescence, production designer Adam Tomlinson emphasized the importance of maintaining a seamless flow on set. Although the cinematographer is responsible for filming in a one shot style, poorly designed builds would make this impossible.
Understanding the Concept of One Shot
Adolescence follows a 13-year-old boy charged with murder, exploring the perspectives of those around him as they seek the truth. Each episode is filmed in a one shot style, requiring Tomlinson to create sets that allow characters and cameras to navigate smoothly.
Tomlinson’s Approach to Set Design
DEADLINE: What is your approach to building the set for a one shot?
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ADAM TOMLINSON: I approach it like any other drama. I read the scripts and sketch a floor plan. While I have a talented arts department for digital designs, I prefer to start on paper. We need to ensure that conversations flow without interruption, mapping out transitions between areas like the charge desk and cells. Our corridors must be long enough to maintain interest and movement. This was our primary challenge: keeping the police station dynamic and engaging.
Designing Episode 3’s Set
DEADLINE: Can you discuss the set for episode 3, where Jamie (Owen Cooper) speaks with the therapist?
TOMLINSON: We built both sets side by side in the studio, which was our first challenge. Since we filmed episode three first, we had to ensure both sets fit within the studio space. Lighting was another consideration; we needed to accommodate the unique requirements of our cinematographer, Matt [Lewis]. We aimed for a vibrant reception area that transitioned to a more subdued atmosphere in the therapy room, ensuring the focus remained on the characters and their dialogue.