A new CBS sitcom in development from Black-ish creator Kenya Barris and comedian Mike Epps has stirred controversy online due to its premise: a comedy set in Altadena, the Los Angeles community devastated by the deadly Eaton wildfire earlier this year.
The Project
The untitled sitcom — still in early development with no cast beyond Epps and no airdate commitment — follows two brothers who move in with their late grandmother’s caretaker after their plans to sell her property in Altadena collapse. Barris is developing the show under BET Studios, marking his return to broadcast TV after Black-ish ended in 2022.
But the choice of setting is raising alarms. In January, the Eaton fire ripped through Altadena and other foothill communities, killing at least 19 people, destroying 9,000 structures, and burning more than 14,000 acres. Nearly nine months later, residents are still rebuilding homes, fending off developers, and mourning losses — making the idea of a sitcom in the same backdrop feel painful to many.
Community Reaction
The backlash began almost immediately after Deadline broke the story. Journalist and KBLA host James Farr sparked debate on Instagram, asking followers: “Funny or too soon?” Responses ranged from outrage (“Way too soon!!”) to cautious optimism. One user, Alegria Castro, summed up the divide:
“If it’s going to benefit the community of Altadena and the rebuild — then it’s great! If not, too soon.”
Local officials have also weighed in. A spokesperson for Supervisor Kathryn Barger of L.A. County’s 5th District said most constituents who contacted her office felt “hurt this is in the works”, stressing that the trauma of the fire remains raw.
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Barris Responds
Barris, who announced the project on Instagram, defended the sitcom’s intention when confronted by critical followers:
“What way could you think of supporting it then by doing what I know how to do and trying to bring a light to a place that many have already forgotten. I understand your fear but know that I only plan to do the best I can to make sure the world sees you.”
The Bigger Question
The situation highlights a larger tension in entertainment: can comedy responsibly emerge from tragedy, and when is it too soon? Barris and Epps’ project could offer visibility and cultural conversation around Altadena’s recovery, but the fine line between levity and insensitivity is already under intense scrutiny.
