“The Ritual”, the latest horror film from director David Middel, fails to breathe fresh life into the well-worn exorcism subgenre. Based loosely on real-life events, the movie tells the story of Emma Schmidt (played by Abigail Cowen), a young woman in early 20th-century Iowa who begins experiencing disturbing symptoms, including night terrors and an aversion to holy objects.
Her condition attracts the attention of two Catholic priests with opposing philosophies. Father Joseph Steiger (Dan Stevens), a modern-minded cleric, believes Emma’s afflictions are psychological and should be treated medically. On the other hand, Father Theophilus Riesinger (Al Pacino) — a traditionalist and fervent believer in demonic possession — insists on performing an exorcism. The church sides with Theophilus, and the ritual begins.
A Story You’ve Seen Before
Despite its potentially compelling premise, “The Ritual” unfolds in an overly familiar and formulaic manner. The narrative relies heavily on tropes: a possessed woman restrained to a bed, a skeptical priest gradually convinced of the supernatural, and jump scares that rarely land. Instead of offering a fresh take, the film feels like a collage of recycled scenes from better exorcism movies.
The clash between modern psychology and ancient religious rites is depicted with little nuance. While the film attempts to build tension, its reliance on shaky handheld camerawork and clichéd plot points makes for a disengaging experience. Even Al Pacino, portraying the German-accented Father Theophilus, delivers a surprisingly restrained performance, missing the opportunity to inject any camp or eccentric energy into the film.
Leaning on “True Story” Marketing
“The Ritual” tries to differentiate itself by highlighting its basis in a “true story.” The real Father Riesinger and Emma Schmidt were central to one of the most documented exorcisms in American history, a case that reportedly inspired The Exorcist. But while historical details are briefly referenced, they add little authenticity to a film that doesn’t offer anything distinctive in storytelling or execution.
The film ends with title cards noting that Father Riesinger was later profiled in Time Magazine, seemingly as a final attempt to convince the viewer of its relevance. However, the absence of deeper insight into the real events or any original cinematic perspective makes the claim feel hollow.
Verdict
Ultimately, The Ritual is a lifeless and uninspired entry into the horror canon. Its lack of scares, originality, or compelling performances results in a film that struggles to justify its existence. Viewers looking for an engaging supernatural thriller are better off revisiting classics of the genre.
Grade: D
Distributor: XYZ Films
U.S. Theatrical Release Date: Friday, June 6
